Themes you still hum decades later: music is an integral part of video games. This Top 100 gathers the retro games with the most memorable soundtracks, from 8-bit sound chips to CD orchestrations, based on RomWize's reassessed scores. For each title: its current score, its versions, their rarity and their collector value.
"Signed by Bill Elm and Woody Jackson, the music revives the Wild West with distant guitars, harmonica and dusty strings in a vibrant homage to the western. The overwhelming "Far Away" accompanies the ride with a twilit melancholy. This sonic identity, visceral and authentic, remains a peak of the genre."
"Carried by orchestral flights and the vocal theme "Id (Purpose)", the entry raises every battle to the scale of an epic. The music underlines the tactical tension and magnifies the sacrifices, galvanising the player's choices. This symphonic grandeur, which relaunched the whole series, leaves a lasting mark."
"Alongside the bubbly themes comes a mischievous touch: the talking flowers that pepper the adventure with little melodies and chirps, as if the scenery were singing with you. Bouncing tunes, playful percussion, sonic transformations with each power-up: everything sparkles with whimsy. That inventive lightness rekindles the pure joy of the Mario platformer and leaves you humming afterward."
"Blending an adventurous orchestra and ethnic accents, the music raises Nathan Drake's journeys to the scale of a great action film. The unforgettable "Nate's Theme" and epic flights accompany every stunt with flair. This cinematic breadth, generous and exhilarating, is the whole sweep of the saga."
"Tense and cinematic, the music blends orchestra, electro and spy themes to embrace the intensity of the infiltration. The famous Metal Gear theme, heroic and melancholy, hovers over the whole adventure. This sonic breadth, worthy of a Hollywood thriller, elevates every moment of tension in the game."
"Dark and martial, Kevin Riepl's music unfurls a heavy orchestra and low choirs that embrace the desolate brutality of the battlefield. The famous melancholy cover of 'Mad World,' in the trailer, stayed etched in memory as one of gaming's most striking trailers. An oppressive, cinematic breadth."
"Hyper-charged pop and brassy fanfares mingle with jazzy covers of standards, in a fully owned kitsch. The tempo races during combos to underline the extravagance of the witch's battles. That almost comical exuberance suits Bayonetta's flair, where every dodge becomes a sonic choreography, and feeds the heady pleasure of the action."
"Scored by Harry Gregson-Williams, the soundtrack founds the sound of the modern military thriller: tense electronic layers, muffled percussion and orchestra that embrace contemporary conflict. It breaks with the martial pomp of the World War II entries and imposes a main theme that became iconic. This new sonic language would lastingly define the mood of the whole series."
"Extending the symphonic splendour of the first, the score pushes the orchestral ambition even further, piling up heroic themes and cosmic flights of rare richness. Each galaxy pulses with a polished melody, between vertigo and wonder. This sonic generosity confirms the series as a musical peak for Nintendo."
"Jazz, hip-hop and breakbeats signed by Hideki Okugawa give the bouts a wild class, a world away from martial fanfares. The legendary "Jazzy NYC '99" and its cousins stick to the millimetric tempo of the parries. This stylish freshness, unique in the genre, remains inseparable from the game's cult aura."
"Signed by Amon Tobin, the music weaves a dark, organic jazz-breakbeat electro perfectly attuned to infiltration. The pads tighten with the tension, reacting to every move of Sam Fisher. This unique sonic identity, light-years from the genre's standards, makes the whole class of the game."
"Gareth Coker wraps the forest of Niwen in a lyrical orchestra and ethereal choirs that brush against fairy tale. The music swells in the breathless escapes, suspends before a vista, mourns the story's losses. That cinematic breath matches every leap and every fall, carrying the emotion of Ori's journey with a delicacy that lingers."
"A summit of Nobuo Uematsu, the score reaches unequalled heights, from "Terra's Theme" to the sung opera and the monumental "Dancing Mad". Each character has their leitmotif, weaving an emotional fresco of rare breadth on 16-bit. This work, often cited as the finest in video games, remains an absolute peak."
"Darker and more solemn, the music embraces Hyrule's twilight with low strings and melancholy motifs. Midna's spellbinding theme, between fragility and mystery, haunts you long after the controller is set down. This orchestral gravity, in perfect harmony with the mood, marks one of the saga's emotional peaks."
"Across the hours a musical clock unfolds: a different theme for each time of day, from a lazy morning jazz to the hushed moods of night. Weather and seasons further tint the listening. That gentle, almost domestic rhythm turns the island into a cocoon you return to without urgency, and makes the daily routine strangely comforting."
"Signed by Martin O'Donnell, the music blends Gregorian chant, epic orchestra and rock guitars in an anthem that became instantly iconic. The famous Halo theme, at once sacred and martial, galvanises every mission with a rare grandeur. This sonic breadth, emblematic of the saga, remains one of the most recognisable in video games."
"Blending an adventurous orchestra and ethnic accents, the music raises Nathan Drake's journeys to the scale of a great action film. The unforgettable "Nate's Theme" and epic flights accompany every stunt with flair. This cinematic breadth, generous and exhilarating, is the whole sweep of the saga."
"Mischievous and virtuosic, the music blends jazz, world sonorities and zany choirs, culminating in the famous musical levels where everything synchronises on screen. Each stage sparkles with a wild inventiveness that matches the game's bouncing whimsy. This unbridled sonic creativity is the whole charm of this festival of colour."
"Frantic and supercharged, Norio Hanzawa's music embraces the jubilant chaos of this Treasure run-and-gun with an overflowing energy. The nervy, rousing themes charge the action without ever letting up. This chiptune vitality, cut for all-out shooting, remains one of the most invigorating on the console."
"Andrew Prahlow's banjo and acoustic guitar lend space exploration an unexpected campfire warmth. With each astronaut playing their own instrument somewhere across the solar system, the music becomes a narrative thread as much as a feeling. Its cosmic melancholy, gentle and resigned, carries a final revelation that few scores could hold so truly."
